Самовыражение – вот что такое музыка для Мартина Люка Брауна. Это средство достижения этой цели, а не самоцель. Если посмотреть на его музыкальный репертуар, становится ясно, что Брауну есть что сказать. Он выпускает музыку уже десять лет, но особенно в последние годы он дал нам прекрасное представление о своем мире, выпустив дебютный альбом в 2023 году и несколько синглов в 2024 году. Также Fizz, лондонская группа с Доди, Орлой Гартланд и Грета Айзек, где аккомпанирует Браун, выпустила свою первую пластинку в 2023 году. К счастью, мы можем продолжать сочувствовать Брауну и в 2025 году. «To Be a Man» — четвёртый выпущенный сингл с его второго альбома. чувак, ох чувак! который ожидается 21 февраля. «Быть ​​мужчиной» начинается с гитары, фортепиано и барабанов в шаговом ритме. Голос Брауна дублируется в ритмичном темпе ходьбы. Мелодии удается избежать предсказуемости и в дуэте с ранимым голосом Брауна создается меланхоличная атмосфера. Он затрагивает мрачные темы, ссылаясь на высокий уровень самоубийств среди мужчин, после чего в припеве полифонически задается вопросом, что значит быть мужчиной. Он описывает песню как воссоединение с частями себя, которые он бессознательно подавлял. Третья строфа говорит о поиске безусловной любви посредством стереотипного мужского поведения. Вот что значит быть мужчиной? Браун подчеркивает важность нарушения табу и разговоров о психическом здоровье мужчин с уязвимостью и состраданием. Он находит для этого правильный формат через интроспективную песню, которая, как и весь грядущий альбом, была записана с помощью аналоговых технологий, написана и записана за один день. Вам интересно, какие еще мысли Мартина Люка Брауна о том, чтобы быть мужчиной? Тогда послушайте его новый альбом от 21 февраля. чувак, ох чувак!. Фейсбук / Инстаграм / Веб-сайт Слушайте синглы недели на нашем Spotify.

Все кончено: Дженнифер Лопес не тратит время », переходя от Бена Аффлека, так как разводы на 550 миллионов долларовСлухВсе в порядке. 14 мая, всего за один день до того, как появились новости о том, что Бен Аффлек и Дженнифер Лопес якобы направляются к разводу, певица была замечена самостоятельно охота на дом в Беверли-Хиллз, сообщила Radaronline.com.Аарон Джонсон

It is a sad reality about life that for every winner, there must also be losers. Movies are no exception: though filmmakers rarely set out to intentionally create a bad movie, they can still come about due to a variety of reasons, such as studio meddling, lack of budget, hostility on set, or unforeseen circumstances. Sometimes these finds enter into the category of so bad it's good, but other times they sap all enjoyment from the viewing experience and leave audiences angry about their lost time. Animated films are especially notable when they turn out rotten due to the time and effort needed to complete them. More often than not, they're not even fun to sit through thanks to bottom of the barrel scripts and low quality CGI that produces the stuff of nightmares. 10 'Happily N'Ever After' (2006) Directed by Paul Bolger Image via Lionsgate Once upon a time, a powerful wizard (George Carlin) ruled over Fairy Tale Land, tasked with ensuring all fairy tales reach their happily ever after, and keeping the Scales of Good and Evil in balance. One day, he goes on a trip to Scotland and leaves his assistants, Munk (Wallace Shawn) and Mambo (Andy Dick), in charge of his duties. Unfortunately, while observing the story of Cinderella, they allow the evil stepmother, Freida (Sigourney Weaver), to unbalance the scales, ruin all the happy endings, and summon an army of fairy tale monsters. Happily N'Ever After ranks among the worst animated films of the 2000s due to its premise and lackluster comedy feeling like a dated attempt to copy Shrek and Hoodwinked's style of fractured fairy tales. However, what makes the film truly unbearable is how boring it is. Every character, joke, and story beat has been done better elsewhere, and while the cast is full of talented actors, they end up feeling wasted. Happily N'Ever After Release Date January 5, 2007 Runtime 87 minutes Director Paul Bolger Writers Robert Moreland Producers John H. Williams, Ken Katsumoto, Rainer Söhnlein, Ralph Kamp, Tom Ortenberg, Andre Sikojev, Chad Hammes, Charlie Woebcken, Louise Goodsill, Nicole Stinn, Nikolaus Weil, Stefan Beiten, Peter Widmann, Silke Zakarneh, Dr. Volker Baas 9 'Elf Bowling the Movie: The Great North Pole Elf Strike' Directed by Dave Kim and Rex Piano Image via Screen Media During the Golden Age of Piracy, Santa (Joe Alaskey) directed his crew to steal toys while secretly sending them to children. When he and his half-brother, Dingle Kringle (Tom Kenny), are thrown overboard by the crew, they somehow make their way to the North Pole and are rescued by elves who believe Santa is destined to lead them. Santa and Dingle are both given immortality, but when Santa forces Dingle to move out, he decides to challenge Santa to a game of Elf Bowling to decide who will be in charge of Christmas. Based on the computer game of the same name, Elf Bowling the Movie pads out its runtime with one confusing decision after another. Santa's pirate origins are unique, but the film doesn't explore them outside the opening, instead opting for toilet humor and a confusing plot that re-uses the same story beats numerous times. It's also full of pointless and poorly constructed musical numbers, including one where Dingle sings an upbeat song about slavery. 8 'The Christmas Tree' (1991) Directed by Flamarion Ferreira When Judy (Karen Drygas) and her family move to a new town, the mayor assigns her to work with Mrs. Mavilda (Helen Quirk), who runs the local orphanage. When she arrives with her two children, she learns that Mavilda is a cruel and greedy woman who neglects the kids, causing them to turn to a pine tree named Mrs. Hopewell for emotional support. As Judy does what she can to better the children's lives, Mrs. Mavilda becomes jealous and attempts to get her fired. While The Christmas Tree has moments that can fall into so bad it's good territory, what makes it so painful to sit through is the audio quality. Casting children who clearly haven't acted before is already rough, but when combined with fluctuating microphone quality and horrible editing, it becomes a constant assault on the ears. The creepy animation, cliché story, and insulting moral of "you always win when you are good," don't do the film any favors either. 7 'Leo the Lion' (2005) Directed by Mario Cambi Image via The Weinstein Company After seeing his mother fall over a waterfall while hunting, Leo (Neri Marcorè/Daniel Amerman) swears off meat and develops a fear of water, which alienates him from other lions. One day, he meets a pregnant elephant named Savannah (Simona Marchini/Amanda Allan) and helps deliver her babies. To keep the elephants safe from an evil elephant named Maximus Elefante (Carlo Conti/Matthew Mercer), Leo attempts to lead them to the fabled Heart of the Jungle and gathers more animals along the way. Leo the Lion is a confusing movie that only gets more so the longer you watch it. Though the film tries to portray Leo's vegetarian lifestyle as valid and something he should be proud of, the animators make him look like he's starving to death, which sends mixed messages and forces an ugly design onto the audience. The rest of the film is bloated with annoying side characters, Mexican hyenas, and random songs. The worst surprise comes at the end when audiences are treated to the nightmare fuel that is Leo and Savannah's hybrid children. 6 'Mars Needs Moms' (2011) Directed by Simon Wells Image via ImageMovers Studios When young Milo (Seth Green and Seth Dusky) is sent to his room for misbehaving, he tells his mother (Joan Cusack) that he'd be better off without her. Later, he feels bad and goes to apologize, only to watch as aliens from Mars abduct his mother. Milo stows away on the ship and soon meets a man-child named Gribble (Dan Fogler), who explains that the Martians kill human mothers to power their mom-roobots. Mars Needs Moms is one of the worst films to come from Disney, and time has only made it harder to stomach. The motion-capture technology results in uncomfortable levels of uncanny valley, especially on the Martians due to their ugly design and exaggerated human-like anatomy. The narrative is also rather confused: its title suggests that the film is light hearted and fun, but it actually contains a lot of dark imagery, from totalitarian states to children watching their mothers die. Mars Needs Moms Release Date March 11, 2011 Runtime 98 Minutes Director Simon Wells Writers Simon Wells, Wendy Wells 5 'Norm of the North' (2016) Directed by Trevor Wall Norm (Rob Schneider) is a polar bear who is both prince of the Arctic but also ostracized because he has the rare ability to talk to humans. One day, humans begin building houses in the Arctic, and Norm makes it his mission to get rid of them. Norm travels to New York City with his three lemming friends (Trevor Wall) and becomes the mascot for Mr. Greene (Ken Jeong), the man building the houses, and who secretly captured Norm's grandfather (Colm Meaney). Norm of the North feels like a low-budget straight-to-DVD knock off of more successful films like Madagascar and Despicable Me. Watching the movie is an endurance test; the audience is bombarded by constant dance numbers, extended sequences of the lemmings urinating, and mounting frustration as Norm doesn't realize that his actions are helping the villain instead of saving his home. Speaking of the villain, Mr. Greene is probably the strangest aspect of the film due to his constant movement, sped-up animation, and Jeong's over-the-top performance. Norm of the North Release Date January 15, 2016 Director Trevor Wall Writers Jack Donaldson, Derek Elliott 4 'The Emoji Movie' Directed by Tony Leondis Image via Sony Pictures Releasing Within the phone of a young boy named Alex (Jake T. Austin) is Textopolis, a city inhabited by emojis whose job is to make a single expression whenever Alex uses them to send texts. However, Gene (T.J. Miller), the son of two meh emojis, can somehow make multiple expressions, which causes him to mess up one of Alex's texts to his crush, Addie (Tati Gabrielle). Now deemed a malfunction and on the run from the lead emoji, Smiler (Maya Rudolph), Gene teams up with the forgotten Hi-5 (James Corden) and a hacker named Jailbreak (Anna Faris) to reach the cloud so that Gene can be fixed. The Emoji Movie is a textbook example of how not to make an animated family film. The film's predictable and paper-thin story feels like a Disney and Pixar clone but with none of the same heart or creativity found in Toy Story or Wreck-it Ralph. Instead, we get Sir Patrick Stewart voicing the poop emoji who speaks only in toilet puns, horrible product placement through the use of Just Dance and Candy Crush as important plot points, and overall unfulfilling character arcs done better in any other film. The Emoji Movie Release Date July 28, 2017 Runtime 86 Minutes Director Anthony Leondis Writers Eric Siegel, Anthony Leondis, Mike White 3 'Titanic: The Legend Goes On' (2000) Directed by Camillo Teti As the RMS Titanic prepares for her maiden voyage from England to America, numerous eccentric passengers board the ship. The most prominent include Angelica (Francesca Guadagno/Lisa Russo), a young woman abused by her step-family who longs to find her mother, and William (Francesco Pezzulli/Mark Thompson-Ashworth), an upper-class man traveling with his elderly maid. As the human passengers mingle, talking animals also board the ship, including a family of Yiddish mice, a trio of mariachi mice, and a rapping dog. If any of that sounded familiar, that's because Titanic: The Legend Goes On made a bold choice in combining numerous Disney and Don Bluth films with one of the most famous tragedies of the 20th century. Unsurprisingly, it didn't work out: this film is not only insensitive to the memory of those who died, but it insults the audience by bombarding them with cheap animation and dozens of side characters fighting to see who can waste the most time. The animal characters are the worst, as their plot doesn't connect to the human storyline and feels like an excuse to shove racial stereotypes into the film. 2 'The Legend of the Titanic' (1999) Directed by Orlando Corradi and Kim J. Ok Image via Mondo TV An elderly mouse named Top Connor's (Stefano Crescentini/Sean Patrick Lovett) tells his grandchildren the real story of what happened on the Titanic. While working on the ship, Connor befriends a Brazilian mouse named Ronnie (Maria Teresa Cella/Anna Mazzotti) and Elizabeth (Emanuela Rossi/Jane Alexander), a human woman whose father and stepmother arranged for her to marry the greedy whaler Everard Maltravers (Luca Ward/Gregory Snegoff). When Elizabeth falls for a Romani man named Don Juan (Vittorio Guerrieri/Francis Pardeilhan), Connor and Ronnie try to help her in her love quest, while Maltravers makes a plan to gain worldwide whaling access and sink the ship with his talking shark allies. Titanic: The Legend Goes On was bad, but at least it remembered that the Titanic's sinking was a tragedy, and showed that not everyone survived. The same cannot be said for The Legend of the Titanic, which sanitizes the event by making everything due to the machinations of an evil whaler and his shark allies, who trick a friendly giant octopus named Tentacles (Oliviero Dinelli/Jane Alexander) into throwing the iceberg at the ship. The cherry on top of this disrespectful sundae is that it ends with Tentacles and a legion of whales working together to ensure nobody dies. 1 'Foodfight!' (2012) Directed by Lawrence Kasanoff When the lights go out in Marketropolis, the mascots of the various products come to life and mingle. Their most beloved mascot is Dex Dogtective (Charlie Sheen), a cereal mascot who works to keep the aisles safe from crime. One day, his girlfriend, raisin mascot Sunshine Goodness (Hilary Duff), goes missing, and when Dex is unable to find her, he quits being a detective. However, he's pulled back in when more mascots go missing following the arrival of Lady X (Eva Longoria), the mascot of the new Brand X generic products that are flooding the supermarket. Foodfight! reportedly cost around fifty million dollars, but you wouldn't believe that based on the final product. The animation is ugly, with grotesque characters and unnatural movements due to an arbitrary decision by the director to switch to motion capture. If the visuals weren't enough to leave you uncomfortable, the film is full of vulgar jokes that range from racial stereotypes to gross-out humor, and a disturbing amount of sexualized imagery. Instead of even the most basic respect for the medium of animation, Foodfight! is little more than an ugly product placement, making it perhaps the worst animated film. Foodfight! Release Date February 12, 2013 Runtime 91 minutes Director Lawrence Kasanoff NEXT: The 10 Worst Animated Movies of the 2020s So Far, According to Letterboxd