Since 1929, the Academy of Motion Picture Arts and Sciences (AMPAS) have been rewarding what they consider the best cinematic offerings of a given year with what are now known as the Oscars. These have become the most prestigious and coveted awards not just in Hollywood, but in the entire film industry. However, that doesn't mean that every Oscar-winning film is great. In fact, some aren't even good. Even though, more often than not, films that are rewarded with an Academy Award are serviceable at the very least, there are more than a few Oscar winners that range from lackluster to absolutely abysmal. From modern failed blockbusters to some of the pretentious slop that the Academy loved to reward back in the '30s, when they were still finding their footing, these are the worst of the worst when it comes to Oscar winners. 10 'The Iron Lady' (2011) Won: Best Leading Actress (Meryl Streep) and Best Makeup Image via 20th Century Studios Margaret Thatcher is, to say the least, one of the most divisive — if not downright despised — public figures in British history, so it probably wasn't the best idea to make a film that celebrated her as a flawed hero. Nevertheless, that's precisely what The Iron Lady went ahead and did. It's a biopic about an elderly Thatcher talking to the imagined presence of her recently-deceased husband, grappling with his death while scenes from her past life intervene. The movie ended up winning two Academy Awards. One for its makeup work (a well deserved victory, frankly), and the other for Meryl Streep's performance as Thatcher (a much less deserving win). What, from the premise alone, could have ended up being one of the most unique biopics of the 2010s instead ended up doing the blandest, least politically critical job it possibly could have. Its Oscar wins weren't travesties, all things considered, but they also don't make it any better a film. The Iron Lady Release Date January 6, 2012 Director Phyllida Lloyd Runtime 105minutes Writers Phyllida Lloyd 9 'The Nutty Professor' (1996) Won: Best Makeup Image via Universal Pictures Eddie Murphy was one of the biggest comedic stars of '80s cinema, which made it even sadder when the quality of his work started to fall off during the mid-'90s. By the time The Nutty Professor came around, it was clear that something about the actor's career choices had changed. It's about an overweight yet good-hearted professor who takes a special chemical that turns him into the slim but obnoxious Buddy Love. All in all, Murphy does a pretty solid job with the material he's given, getting to play a surprising number of characters in all sorts of impressive makeup and prosthetics. It was precisely a Best Makeup award that the film ended up getting, and although some might consider this one of the least-liked Oscar wins purely because it makes it so that such a bafflingly childish and silly movie can be called "Oscar-winning," the makeup is something that definitely can't be criticized. The Nutty Professor Release Date June 28, 1996 Director Tom Shadyac Cast Eddie Murphy , Jada Pinkett Smith , James Coburn , Larry Miller , Dave Chapelle , John Ales , Patricia Wilson , Jamal Mixon Runtime 95 minutes 8 'Earthquake' (1974) Won: Best Sound and Special Achievement Award for Visual Effects Image via Universal Pictures One of the worst disaster movies of the 20th century, Earthquake is a huge ensemble film featuring actors of the stature of Charlton Heston, Ava Gardner, and George Kennedy. It's a dark comedy about various interconnected stories of people struggling to survive when an earthquake of unimaginable magnitude hits Los Angeles. The sets are great and the visual effects (which earned the movie a Special Achievement Oscar) are even better, but technical excellence is pretty much the only thing that Earthquake has going for it. There's not much charm in watching these huge stars playing clichéd characters walking around destroyed sets, servicing a horribly melodramatic narrative. Everything is one-note, which immediately renders the stakes pointless. Release Date November 15, 1974 Director Mark Robson Cast Charlton Heston , Ava Gardner , George Kennedy , Lorne Greene , Geneviève Bujold , Richard Roundtree , Marjoe Gortner , Barry Sullivan , Lloyd Nolan , Victoria Principal , Walter Matthau , Monica Lewis , Gabriel Dell , Pedro Armendariz Jr. , Lloyd Gough , John Randolph , Kip Niven , Scott Hylands , Tiger Williams , Donald Moffat , Jesse Vint Runtime 123 Minutes Writers Mario Puzo , George Fox Expand 7 'Army of the Dead' (2021) Won: Oscars Fan Favorite Image via Netflix For the 2022 Oscars, the Academy introduced a Fan Favorite category where fans could vote on social media for their favorite film of the year. The fact that the category never came back (and perhaps never will) is pretty telling. The winner ended up being Zack Snyder's Army of the Dead, a zombie heist film where, following a zombie outbreak in Las Vegas, a group of mercenaries venture into the quarantine zone to pull of the greatest robbery in history. Zack Snyder definitely has worse movies, but that doesn't at all mean that Army of the Dead is anything less than mediocre. Terribly overlong, lacking in creativity, and an attack on the senses with its CGI-heavy action, it has plenty of fun moments and cool genre twists going for it, but the cons somewhat outweigh the pros. There was more than enough backlash against the Fan Favorite category making Army of the Dead an Oscar winner that the Academy canceled the category for 2023. Army of the Dead Release Date May 21, 2021 Director Zack Snyder Cast Ana de la Reguera , Samantha Win , Tig Notaro , Matthias Schweighöfer , Huma Qureshi , Omari Hardwick , Michael Cassidy , Theo Rossi , Ella Purnell , Raul Castillo , Hiroyuki Sanada , Garret Dillahunt , Richard Cetrone , Dave Bautista , Nora Arnezeder Runtime 139 minutes Writers Zack Snyder , Shay Hatten , Joby Harold Budget $70-90 Million Expand 6 'In Old Arizona' (1928) Won: Best Leading Actor (Warner Baxter) Image via Fox Film Corporation The second-ever Academy Awards had plenty of questionable winners, but few have aged worse than the Western drama In Old Arizona. It's about a charming, happy-go-lucky bandit from Arizona playing cat-and-mouse with the sheriff that's trying to catch him, all while he romances a local beauty. The movie's sole Oscar win came for Warner Baxter's brownface performance as the protagonist, the Mexican outlaw Cisco Kid. According to Letterboxd, this is one of the worst movies that have ever won an Academy Award. Aside from Baxter's campy performance aging like milk, In Old Arizona presents pretty much all the problems that a lot of early talkies had: It can't quite figure out how to execute its genre with sound, the acting is a cringey relic of the past, and everything about the story feels fake and over-the-top. In Old Arizona Release Date December 25, 1928 Director Irving Cummings Cast Edmund Lowe , Warner Baxter , Dorothy Burgess , Henry Armetta , James Bradbury Jr. , Joe Brown , Frank Campeau , Alphonse Ethier , John Webb Dillion , Jim Farley , Soledad Jiménez , Ivan Linow , Tom London , Helen Lynch , J. Farrell MacDonald , Evelyn Selbie Runtime 95 minutes Writers O. Henry Expand Rent on Apple TV 5 'Cavalcade' (1933) Won: Best Picture, Best Director (Frank Lloyd), and Best Art Direction Image via Fox Film Corporation As the Academy was just figuring out the Oscars' rules and what kinds of artistic merit they wanted to reward, the '30s had more than a few Oscar winners that were, to be kind, quite bad. This includes Best Picture recipients like Cavalcade, a drama portraying the triumphs and tragedies of two English families from different social classes between 1899 and 1933. Cavalcade is painfully boring, uncomfortably mawkish, and really poorly paced and written. One of the worst Best Picture winners of all time, Cavalcade is painfully boring, uncomfortably mawkish, and really poorly paced and written. There is some merit in its cast, its visuals (it also won Art Direction), and even in Frank Lloyd's direction here and there (he won Best Director), but the themes are so infantilizing and on-the-nose, the drama is so exaggerated, and the characters are so uninteresting that all of its strengths pale in comparison to its weaknesses. Cavalcade Release Date April 15, 1933 Director Frank Lloyd Cast Una O'Connor , Herbert Mundin Runtime 112 Rent on Amazon 4 'Coquette' (1929) Won: Best Leading Actress (Mary Pickford) Image via United Artists Mary Pickford, one of the most legendary actresses of the era of silent cinema, was one of the 36 founding members of AMPAS. Her power and influence in Hollywood at the time was evidently tremendous. So, is it really surprising that she won the 2nd-ever Best Leading Actress Oscar for her first-ever talkie performance? It was in Coquette, a romantic drama about a flirtatious Southern belle becoming compromised with one of her suitors. Pickford was capable of some truly gorgeous acting, but it's clear that she wasn't made for talkies. Her performance in Coquette is dodgy, over-the-top, and characterized by awful line delivery. Indeed, Pickford would go on to star in only four talkies more after this one. The topic at hand is the film itself, though, and... It isn't much better. It's way too dialogue-heavy, the tone and story are completely lifeless, and the characters don't have particularly interesting arcs. It's the kind of film that you watch once and then completely forget a couple of weeks later. Coquette Release Date March 30, 1929 Director Sam Taylor Cast Johnny Mack Brown , Mary Pickford , Matt Moore , John St. Polis , William Janney , Henry Kolker , George Irving , Louise Beavers , Phyllis Crane , Joseph Depew , Robert Homans , Vera Lewis , Craig Reynolds Runtime 76 minutes Coquette is currently not available to stream, rent, or purchase in the U.S. 3 'Cimarron' (1931) Won: Best Picture, Best Adaptation Writing, and Best Art Direction Image via RKO Radio Pictures There has only ever been one Best Picture winner worse than Cimarron. This 1930s disaster is a Western about a newspaper editor who settles in an Oklahoma boom town with his reluctant wife at the end of the 19th century. Its huge scope and admirable production qualities are still fantastic, but everything else about it has aged horribly. It's the worst Best Picture winner of the '30s, full of blatant misogyny and racial stereotypes that would be hard to not find offensive. Even setting aside how poorly this kind of content has aged, though, it's not a very good film at all. It's dull, lifeless, overlong, and terribly boring, with very little in the way of creativity or originality and a slow pace that makes the whole thing hard to bear. Cimarron Release Date February 9, 1931 Director Wesley Ruggles Cast Richard Dix , Irene Dunne , Estelle Taylor , Nance O'Neil Runtime 123 minutes Writers Edna Ferber , Howard Estabrook , Louis Sarecky Rent on Apple TV 2 'The Broadway Melody' (1929) Won: Best Picture Image via Warner Bros. Pictures Despite it all, there is one movie that still reigns supreme as the worst of the worst when it comes to Oscar-winning films: The second winner of Best Picture ever, The Broadway Melody. It's a romantic musical about a pair of sisters from the vaudeville circuit trying to make it big on Broadway. However, matters of the heart get in the way and complicate their ambitions. As a historical document, The Broadway Melody is interesting enough. It was one of the first musicals ever made — the problem is that you can clearly tell. One of the worst in the genre from the 20th century, it was made at a point of talkies' infancy where directors still didn't know how to make the genre work on the big screen. The story is tedious, the acting is poor, and the musical numbers are badly shot, choreographed, and edited. For anyone who's not a film historian or a hardcore Oscars completionist, The Broadway Melody is better off avoided. The Broadway Melody Release Date June 6, 1929 Director Harry Beaumont Cast Charles King , Anita Page , Bessie Love , Eddie Kane Runtime 100 minutes Writers Edmund Goulding , Norman Houston , James Gleason , Earl Baldwin 1 'Suicide Squad' (2016) Won: Best Makeup & Hairstyling Image via Warner Bros. Pictures While it didn't win Best Picture (and thank the Heavens for that), David Ayer's Suicide Squad is worse than Cimarron and The Broadway Melody combined. This darkly comedic DCEU disaster is about a secret government agency recruiting some of the world's most dangerous incarcerated supervillains to form a defensive task force. Their mission? To save the world from the apocalypse like some kind of Suicide Squad. The story? A mess. The dialogue? Laughable. The characters? An embarrassment. The pacing and editing? Horrendous. One of the few redeemable things about Suicide Squad is the makeup work, and if anything from it was going to win an Academy Award, yeah: it might as well have been that. Even still, most people would agree that the world would be a happier and more harmonious place if the label "Oscar-winning" couldn't be applied to this terrible superhero film. Suicide Squad Release Date August 5, 2016 Runtime 123 minutes Budget $175 million Expand KEEP READING:Essential Movies That Got Zero Oscar Nominations

Закари Коул Смит из ДИИВ и его семья входят в число тысяч людей, потерявших свои дома в результате лесных пожаров в Лос-Анджелесе. GoFundMe, запущенный другом, чтобы помочь им восстановиться, теперь в три раза превысил первоначальную цель, и в последнем обновлении организатор Линдси Хартман пишет: «Такая щедрость была абсолютно нереальной. Просто хотел зайти и поделиться фотографиями обломков, которые мы получили сегодня. Дэни и Коул ошеломлены любовью и поддержкой, как и я. Наше сообщество чертовски красивое». Смотрите фотографии обломков ниже. DIIV также анонсировали несколько концертов в Калифорнии в следующем месяце в Помоне (The Glass House 21 февраля), Сан-Луис-Обипсо (SLO Brew Rock, 22 февраля), Сан-Франциско (Серая зона, 23 февраля) и Вентура (Театр Вентура, 24 февраля). Все, кроме Сан-Франциско, с Крауси они пишут: «У нас есть анонс нескольких шоу. Об этом должно было быть объявлено на прошлой неделе, но очевидно, что мы имеем дело с огромной катастрофой здесь, в Лос-Анджелесе, где дом Коула в Альтадене был одним из многих, которые были потеряны. Мы собираем оборудование, которое было потеряно в результате пожаров, в режиме реального времени по мере продвижения этих шоу. Мы очень ценим излияние поддержки, оказанной нам посредством этого. Мы надеемся, что эти шоу смогут дать нам и вам ощущение нормальности. Билеты поступят в продажу во вторник 21 января. Мы любим тебя, мы любим Лос-Анджелес, спасибо. На этой фотографии мы стоим в каньоне Итон с видом на Альтадену и ее сделал наш друг Коли Браун. Спасибо, мы любим вас». DIIV: ДАТЫ ТУРА 2025 ГОДА 21 февраля 2025 г. Стеклянный дом Помона, Калифорния 22 февраля 2025 г. · Slow Brew Rock Сан-Луис-Обиспо, Калифорния 23 февраля 2025 г. Серая зона Сан-Франциско, Калифорния 24 февраля 2025 г. Театр Majestic Ventura Вентура, Калифорния

Ведущий «SNL» Дэйв Шаппель начал свой монолог в субботу вечером, рассказав, как сильно он пытался отказаться от ведения шоу, а затем приступил к почти 17-минутному сету, который затронул все: от лесных пожаров в Лос-Анджелесе и Трампа до Палестины и Джимми Картера. . Чаппель рассказал, что в октябре Лорн Майклс позвонил ему и попросил провести первое шоу «Субботним вечером в прямом эфире» после президентских выборов. «И я сказал: нет, я крут, у меня есть все эти деньги и все такое», — рассказал комик. Шаппель сказал, что в конце концов согласился, и «в тот момент, когда я сказал «да», Лос-Анджелес загорелся». Так началась часть монолога, вызвавшая неприятный смех. «Это самое дорогостоящее стихийное бедствие, которое когда-либо случалось в истории Соединенных Штатов. И вы хотите знать, почему я так думаю? Потому что у людей в Лос-Анджелесе есть хорошие вещи. Я мог бы сжечь 40 000 акров земли в Миссисипи примерно за 600 или 700 долларов», — пошутил он. Шаппель продолжил: «Я смотрю новости или разговариваю со своими друзьями, у них всех есть теории заговора о том, что привело к этим пожарам. Теперь говорят, что это поджигатели. Я слышал эту теорию, и я уверен, что были какие-то поджигатели, но было много элементов, которые собрались вместе, чтобы превратить этот пожар в катастрофу. Ветер достигал 100 миль в час. Черт, они были сухими, как кость, и дамбы, а фактов было слишком много. Если бы вы были рационально мыслящим человеком, вам пришлось бы хотя бы принять во внимание возможность того, что Бог ненавидит этих людей». Комик также раскритиковал Дидди, вспомнив, как его друзья спрашивали, почему он ничего не знает о предполагаемых секс-вечеринках. «Мои друзья спросили, они сказали: «Дэйв, ты знаешь что-нибудь об этих уродских вечеринках?» Я был похож на чувака. Я ничего о них не знал, — начал он. «Они говорят: «Ну, как все эти люди, которых ты знаешь, в бешенстве, а ты нет?» и я задумался об этом на секунду и подумал: «О, черт возьми». Я уродливый». Шаппель предположил, что его не пригласили, потому что он излучает «энергию стукача». Комик также выступил с критикой Трампа, но прежде чем добраться до нового президента, он решил почтить память Джимми Картера историей о том, как он покинул «Шоу Шаппеля» и отправился на Ближний Восток. «Пока я был там, Джимми Картер улетел в Израиль. Итак, все в регионе говорили о том, что бывший американский президент находится на Ближнем Востоке. И пока он был в Израиле, вышла его книга, название которой было очень спорным в Израиле, название книги было «Палестина: мир, а не апартеид». В Израиле люди были очень злы. В газете появилось много грубых историй, но некоторые люди поддержали меня. И пока он был там, Джимми Картер сказал: «Я хочу поехать на палестинскую территорию», а израильское правительство заявило: «Это слишком опасно, и если вы поедете, мы не сможем вас защитить». И, черт возьми, Джимми Картер все равно ушел. Я никогда не забуду кадры бывшего американского президента, идущего практически без охраны, в то время как тысячи палестинцев приветствовали его. Когда я увидел эту фотографию, у меня на глаза навернулись слезы. Я сказал: не знаю, хороший ли это президент, но вот он, я уверен, великий человек». Шаппель завершил свой монолог, обратившись напрямую к Трампу: «Потому что я знаю, что вы смотрите это шоу», — сказал он. «Президентство — не место для мелочных людей», — начал он. «Итак, Дональд Трамп, помните, голосовали ли люди за вас или нет, они все рассчитывают на вас. Нравится им ты или нет, они все рассчитывают на тебя. Весь мир рассчитывает на вас. Я имею в виду именно это, когда говорю это, удачи. Пожалуйста, в следующий раз сделай лучше. Пожалуйста, все мы, в следующий раз постарайтесь лучше. Не забывайте о своей человечности и, пожалуйста, сочувствуйте перемещенным лицам, находятся ли они в Палисейдах или в Палестине».